What Is a Desiccant in Chemistry

Essay about Edgar Allen Poes Gothicism - 695 Words

Edgar Allen Poe Gothicism When the name Edgar Allen Poe is mentioned the thoughts of horror, shock, and terror come to the common readers mind. Some though, think more powerful words such as revolutionary, intellectual, or gothic. Poe’s works such as Pit And The Pendulum, The Tell-Tale Heart, Hop-Frog, and The Fall of the House of Usher are considered to be staple works of the 19th century gothic genre. Elements of gothic writing include the number seven, madness, and ironic twists. E.A. Poe used the number seven in his writings to express his gothic style of literature. For example, in Pit And The Pendulum when the character attempted to map his dark surroundings, he counted 52 paces before he had swooned. In reality, the†¦show more content†¦Madness is also a common element in Poe’s works. For instance, in Pit And The Pendulum, the character embraces a point of madness as the pendulum slowly swings toward him but eventually overcomes his madness to save himself from the pendulum. Madness is also found in The Tell-Tale Heart becomes the madness embraces the murderer of the novel as he obsesses and distresses over the eye of the old man whom he eventually destroys and dismembers it also infects the character when he is stricken with the guilt of his horrible act. Also, Hop-Frog shows signs of madness as well when Hop-Frog becomes infuriated with the King and his seven councilors behavior and through an extremely well delivered plan has them all torched to a public death. In The Fall of the House of Usher the character Madeline was embraced with the madness (insanity) after being locked in a coffin alive so that her fiancà ¨ would be disposed of by her brother. His work with gothic literature and his life as a depressed child, adult, and man has caused madness to be a common influence for in his literature. Another frequent component in the 19th century gothic literature of Edgar Allen Poe was the use of ironic twists. The previously unmentioned Spanish Inquisition that appeared in Pit And The Pendulum and saved the imprisoned character was a prime example of an ironic and unexpected twist to the storyShow MoreRelatedThe Gothic Theme of Edgar Allen Poes Work1357 Words   |  6 PagesEdgar Allen Poe was an English short-story writer whose work reflects the traditional Gothic conventions of the time that subverted the ambivalence of the grotesque and arabesque. Through thematic conventions of the Gothic genre, literary devices and his own auteur, Edgar Allan Poe’s texts are considered sublime examples of Gothic fiction. The Gothic genre within Poe’s work such as The Tell-Tale Heart, The Black Cat, and The Raven, arouse the pervasive nature of the dark side of individualism andRead MoreArthur Conan Doyle1279 Words   |  6 PagesHolmes, along with Holmes’ best frien d, John Watson. His early interest in Edgar Allen Poe’s style of Gothicism also helped mold his writing style later in life. Living in England and Scotland, and serving in the Boer War, his life was filled with influences that later affected Holmes’ biggest adventure, The Hound of the Baskervilles. Of all of Arthur Conan Doyle’s influences, his three biggest ones are his love of Edgar Allen Poe’s works, his adventures as a doctor, and his belief in spiritualism. AsRead MoreAnalysis Of Edgar Allen Poe s The Cask 1563 Words   |  7 PagesMcKay American Literature 10 November, 2015 Gothic Elements in Poe’s Captivating Stories Edgar Allen Poe can be described as a master of gothic literature. Poe enjoyed incorporating the gothic theme into his stories (â€Å"The Cask† 52). The free dictionary website describes gothicism as a style in fictional literature characterized by gloomy settings, violent or grotesque action, and a mood of decay, degeneration, and decadence. Edgar Allen Poe experienced many failures and disappointments throughoutRead MoreAnalysis Of Edgar Allan Poe s The Cask Of Amontillado 1792 Words   |  8 Pagesrelated; a centralizing mind or intelligence; not to be confused with opinion or belief â€Å"(Roberts, 119). Edgar Allan Poe famously uses point of view in all of his writings. According to Gargano, â€Å"An objective narrator is telling a terrible story objectively might be frightening, but even more frightening is a man telling without emotion the story of his own terrible crime†(Gargano, 52). In Poe’s story stories: â€Å"The Cask of Amontillado†, â€Å"Black Cat†, â€Å"The Fall of the House of Usher†, and †Å"The TellRead MoreGothic Literature and the Writings of Edgar Allan Poe Essays850 Words   |  4 Pagesthis era is not well known. From a few writers came this writing style that has impacted the world. A famous artists known for this type of writing is a man named Edgar Allan Poe. He wrote many short stories and poems that include horror, gothic, and romance just mentioned. Gothic Tradition was said to have started in Europe. Gothicism came from the Romanticism in the early 19th century (Book Rags). Two people who are said to have started the gothic writing movement are Ann Radcliffe and HoraceRead MoreEdgar Allan Poe s Father Of American Gothicism1178 Words   |  5 PagesAlba Abreu Prof. Mrs. Beth Ritter-Guth EN-250 June 24, 2017 Poe s father of American Gothicism Edgar Allan Poe was born in Boston, Massachusetts on January 19, 1809. His parents were actors. After he was born, his father abandoned him and his mother died before he was three. This left Edgar Allan Poe a foster child. Poe s father was an alcoholic and an insovent actor. Thus, Poe had a miserable life, starting with his childhood, he lost his parents since he was a little child, and I would sayRead MoreThe Black Cat And The Fall Of The House Of Usher1739 Words   |  7 Pageswith the past leading to isolation or the presence of the supernatural causing someone to obtain a fear of the unknown—allows Gothicism as a whole to span over a wide range of effects within a story. In many cases, gothic elements are used to either prove or disprove the innate evil of humankind or the circumstances of which they live amongst. Similarly, Edgar Allen Poe’s â€Å"The Black Cat† and â€Å"The Fall of the House of Usher,† as well as Gillian Flynn’s Sharp Object s can be related in that each storyRead MoreGothic Elements In The Black Cat1724 Words   |  7 Pageswith the past leading to isolation or the presence of the supernatural causing someone to obtain a fear of the unknown—allows Gothicism as a whole to span over a wide range of effects within a story. In many cases, gothic elements are used to either prove or disprove the innate evil of humankind or the circumstances of which they live amongst. Similarly, Edgar Allen Poe’s â€Å"The Black Cat† and â€Å"The Fall of the House of Usher,† as well as Gillian Flynn’s Sharp Objects can be related in that each story

Elizabeth I 2 free essay sample

Elizabeth I A ; Marlowe # 8217 ; s Faustus # 8211 ; Pragmatism And Lasting Accomplishment Vs. Impetousity And Fleeting Essay, Research Paper Henryk Jaronowski English 9H, 7 Mrs. Ritter Winter 1998 Elizabeth I A ; Marlowe # 8217 ; s Faustus # 8211 ; Pragmatism and Lasting Accomplishment vs. Impetousity and Fleeting Aggrandizement Goethe # 8217 ; s Faust. Milton # 8217 ; s Paradise Lost. Shakespeare # 8217 ; s Macbeth. All celebrated plants which were foreshadowed by a drama called The Tragical History of the Life and Death of Doctor Faustus, a drama so great as to do Goethe say # 8220 ; How greatly is it planned! # 8221 ; ( Knoll 72 ) . Doctor Faustus was written by Christopher Marlowe, a poet whose celebrity among his coevalss is 2nd merely to Shakespeare # 8217 ; s ( Farnham 1 ) . Marlowe lived in an England ruled by Elizabeth I, a great patronne of the humanistic disciplines every bit good as a matter-of-fact swayer whose chief usage for power was the improvement of the land and the general populace. In this celebrated drama, which many consider to be Marlowe # 8217 ; s coronating accomplishment, the bookman Faustus, blinded with the lecherousness for power and cognition, marks a diabolic treaty in which he trades his ageless psyche for 24 old ages of his fondest wants ( Farnham 6-7 ) . Faustus so goes on to blow what small power was given him on increasing his celebrity ( Frye 57 ) . In blunt contrast to Elizabeth I # 8217 ; s matter-of-fact usage for power, Marlowe # 8217 ; s Faustus, blinded by a awful lecherousness for power, squandered what small dirty power was allotted him by Lucifer, carry throughing nil of any existent permanent value and functioning no cause salvage his ain fugitive aggrandisement. Elizabeth I was arguably one of the most effectual swayers England of all time had ; a # 8220 ; royal rational # 8221 ; , Elizabeth # 8217 ; s chief involvement in mind, was its power to act upon people and events. She was a matter-of-fact queen who loved to chew over over her options ( Kendall 1-2 ) . For illustration, Elizabeth sympathized with her Catholic cousin, Mary Stuart Queen of Scots, both as a queen and as a adult female but, when a Catholic secret plan against Elizabeth # 8217 ; s life failed, she overcame her personal feelings sing Mary. This allowed her leting her to do a difficul tchoice # 8212 ; the pick to hold Mary executed on February 8, 1587. She did this to take the Catholic menace for the good of the state ( Johnson 39-41 ) . She neer married and used her girlhood as a tool of statesmanship, playing her suers, both Catholic and Protestant, against each other ( Slavin ) . # 8220 ; Moved by male beauty, she neer succumbed to it, and could convey herself to d irect her loved Essex to the block # 8221 ; ( Smith nine ) . One of the great talkers of her clip, her addresss could motivate the populace, wheedle Parliament into making what she them to make, and smooth over many delicate diplomatic state of affairss ( Green 30 ) . Her pragmatism and endowment helped do England a great cultural centre and a force with which to be reckoned. She was a great patronne of the humanistic disciplines every bit good as making many things, merely some of which are the undermentioned: doing the Church of England England # 8217 ; s chief church, avoiding war with Roman Catholic states, driving back the Spanish Armada, set uping England as # 8220 ; Queen of the Seas # 8221 ; through her defeating Spain, and assisting the economic system of England to thrive ( Slavin ) . Literature and the humanistic disciplines flourished ; Marlowe, Shakespeare, and Spenser wrote Doctor Faustus, Julius Caesar, and The Fairy Queene, severally. The dominance of the matter- of-fact Elizabeth I to the English throne in 1558 at the stamp age of 24 marked the beginning of a new # 8220 ; aureate age # 8221 ; for England ( Slavin ) . In blunt contrast to Elizabeth # 8217 ; s pragmatism and achievement, Faustus was an rational whose impetuousness and lecherousness for personal celebrity finally destroyed him. He becomes disillusioned with normal scholarly chases and, believing that # 8220 ; A sound prestidigitator is a demi-god # 8221 ; , declares # 8220 ; Here tyre, my encephalons, to acquire a divinity! # 8221 ; ( Marlowe 9 ) . The chief organic structure of readying that Faustus makes before raising Mephistopheles consists simply of woolgathering about what he will make with diabolic power. Faustus hopes to utilize his powers to do liquors bring for him gold from India, pearls from the oceans, and # 8220 ; pleasant fruits and princely delicates # 8221 ; ( Marlowe, Doctor 9 ) from the New World. He daydreams about holding the liquors wall Germany with brass, holding the liquors take the signiory of Emden, and holding the liquors drive the Prince of Parma from Germany ( Marlowe, Doctor 9 ) . All of these e arly purposes, nevertheless grandiose, are still simply for Faustus # 8217 ; s aggrandisement ( Sewall 63-64 ) . This hastiness is # 8220 ; feature of Faustus, who far excessively briefly considers and rejects his achievements in all major subdivisions of larning # 8211 ; he rejects a basic regulation of thaumaturgy, black or white. He resolves to raise at one time, and therefore makes impossible the purification, the ritual readyings, recommended by charming handbooks† ( Traister 80 ) . He is blinded with lecherousness for diabolic power, stating â€Å"How am I glutted with amour propre of this! † in scene one ( Marlowe 10 ) . After a short lesson in simple thaumaturgy from his friends Valdes and Cornelius, Faustus attempts to name up Mephistopheles by declaiming a enchantment in which he renounces his religion in the Christian Trinity and â€Å"turns to the infernal three of Lucifer, Beelzebub, and Demogorgon† ( Marlowe 18 ) . Mephistopheles appears, and when asked by Faustus if his â€Å"conjuring speeches† summoned him, he says that it was non the raising enchantment in of itself that brought him, but instead that the enchantment had brought him because of something it happened to include: viz. , his â€Å"rack [ ing ] the name of God, Abjur [ ing ] the Bibles and his Jesus Christ† ( Marlowe 20 ) . Mephistopheles goes on to state that he seeks Faustus†™s psyche, that Faustus is â€Å"in danger to be damn’d† , and that a show of Faustus’s preparedness to give up his psyche to the Devil brought him to Faustus of his ain free will ( Marlowe 20 ) . Faustus so rushes into the judicious act of selling his psyche to the Devil for 24 old ages of Mephistopheles’ service ( Marlowe 30 ) . He is even eager to sell his psyche, stating â€Å"Had I as many psyches as at that place be stars, I’d give them all for Mephistopheles† ( Marlowe 22 ) . Faustus follows obscure feelings of dissatisfaction to sell his immortal psyche to the Devil for 24 old ages of service from Mephistopheles. Faustus’s hotheaded actions lead to his ruin and warrant that his life after taking up raising has small achievement of any digesting value. Faustus # 8217 ; s unforesightful pick to give up all that he accomplished as a bookman to sell his psyche to the Satan ensured that his name would travel down through the ages, non as a great bookman, but as a cut-up and a weak adult male # 8212 ; an illustration of what determinations one should non do. His life was, before his breach from the honest scientific disciplines, bright and full of promise. He was the pride of Wittenberg, for he was # 8220 ; grac # 8217 ; vitamin D with physician # 8217 ; s name # 8221 ; , his # 8220 ; measures [ were ] hung up as memorials # 8221 ; , and he cured a # 8220 ; thousand desperate maladies # 8221 ; ( Marlowe 5 ) . Faustus # 8217 ; s place after subscribing the treaty is non far from that of a roving entertainer # 8211 ; he goes from tribunal to tribunal, seting on shows and drawing buffooneries. Faustus entertains the emperor he had hoped to command, and # 8220 ; finds himself pensioned off at the decision of the eventide # 821 7 ; s show. # 8221 ; ( Frye 57 ) The liquors which he had hoped would convey him wealths merely conveying out-of-season grapes to fulfill the pregnant Duchess of Vanholt # 8217 ; s cravings. # 8220 ; Faustus accepts the backing of those whom he one time wished to patronize. # 8221 ; ( Frye 57 ) . If non for Faustus # 8217 ; s impractical and unforesightful determination to sell his psyche, he might hold gone down in history as a great bookman and doctor instead than a adult male who was tricked into giving up illustriousness for junior-grade charming fast ones and fugitive celebrity. When looking at the drama The Tragical History of the Life and Death of Doctor Faustus, one can non assist but inquire what comparings, contrasts, or fables Marlowe wished to leave upon person reading his drama. Possibly he wished to demo a contrast between the impetuousness and fugitive captivation of the Faustus of his drama and the pragmatism and permanent celebrity of the swayer of his state. Possibly he wished to do the reader walk off with a moral # 8211 ; # 8221 ; # 8216 ; Tis better to be an Elizabeth than a Faustus. # 8221 ; Plants Cited Farnham, Willard erectile dysfunction. Twentieth Century Interpretations of Doctor Faustus. Englewood Cliffs, NJ: Prentice-Hall, 1969. Frye, Roland M. # 8220 ; Marlowe # 8217 ; s Doctor Faustus: The Repudiation of Humanity. # 8221 ; In Twentieth Century Interpretations of Doctor Faustus. Ed. Willard Farnham. Englewood Cliffs, NJ: Prentice-Hall, 1969. Green, Robert. Queen Elizabeth I. New York: Franklin Watts, 1997. Johnson, Paul. Elizabeth I ; a life. New York: Holt, Rinehart and Winston, 1974. Kendall, Allen. Elizabeth I. New York: St. Martin # 8217 ; s Press, 1977. Knoll, Robert E. Christopher Marlowe. New York: Twayne Publishers, 1963. Marlowe, Christopher. Doctor Faustus. London: Meuthen and Co. Ltd. , 1972. Sewall, Richard B. # 8220 ; The Vision of Tragedy in Doctor Faustus. # 8221 ; In Twentieth Century Interpretations of Doctor Faustus. Ed. Willard Farnham. Englewood Cliffs, NJ: Prentice-Hall, 1969. Slavin, Arthur J. # 8220 ; Elizabeth I. # 8221 ; World Book 96 Multimedia Encyclopedia, CD-ROM. Smith, Lacey Baldwin. Elizabeth Tudor: Portrayal of a Queen. Boston: Little, Brown, and Company, 1975. Traister, Barbara Howard. # 8220 ; Doctor Faustus: Maestro of Self-Delusion. # 8221 ; In Christopher Marlowe # 8217 ; s Doctor Faustus. Ed. Howard Bloom. New York: Chelsea House, 1988.